Eric Ericson (1918-2013) was one of the major choral conductors of the last century. His work was influential for many of us and the standards he set with his own Chamber Choir, with the Swedish Radio Choir, along with the men's chorus Orphei Drängar, raised standards around the world. The many tours with those three choirs (and the chamber choir at the College of Music), in addition to his many recordings, were how most of us first knew his work.
While he prepared and/or conducted most of the standard choral/orchestral masterworks, his primary focus and love was for a cappella music. It was always his goal with the Radio Choir, for example, to have 80% of the repertoire the choir sang be a cappella (he wasn't always successful with this).
As the primary teacher of conducting at the Royal College of Music in Stockholm he influenced generations of Swedish conductors from the early 1950's into the 1990s (for a considerable number of those years he was the teacher for all choral conductors, whether music education or church music, and for many years it was also the only place in Sweden where one could study conducting). Later in his career he influenced conductors from around the world through masterclasses and conducting courses.
I've written before about his use of the piano in rehearsal, but we'll explore more of what made Eric . . . well, Eric. And, of course, to ask which of his methods and approaches will be useful to us. A number of posts as well will be guest blogs or interviews with some of my Swedish friends who've known Eric for many years.
A wonderful interview with him from 1997, the 50th anniversary of his Chamber Choir, can be found here. It will tell you a lot to get started.
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